Drawing on some of the finest soloists, choral singers and instrumentalists in the South, Christopher Larley produced a highly-appealing interpretation of the work from the combined choirs the University, the Chichester Chorale and Chantry Quire.

The mighty bass voice of the brilliant Michael Pearce majestically set the scene for this distinguished version of Charpentier's masterpiece.

The incomparable beauty of Jacquelyn Fugelle's mature soprano voice was a total joy to hear. With seemingly effortless ease and with absolute purity her contribution to the Benedictus quartet was exemplary.

Other contributions from an exceptionally strong team of soloists included a high-class vocal contribution from Susan Legg (mezzo Soprano) and impressive singing from David Burrows (tenor) and Peter Smith (countertenor) who performed very skilfully.

The combined Choirs performance throughout was bright, fresh and enthusiastic. Chichester University's principal lecturer in music Arthur Robson (conductor) ensured that the soloists, combined choir and musicians gave a spectacular version of Mozart's Requiem K626.
The result was spirited playing from the orchestra and incisive singing totally conveying the stature and significance of this major work.

The solo quartets were handled with great mastery producing a marvellous blending of voices and remarkable harmonies. Christopher Larley (tenor) joined Jacqueline Fugelle, Susan Legg and Michael Pearce in the dramatic quartet Tuba Mirium which was particularly lovely.

A retiring collection was held to raise funds for the Sussex Snowdrop Trust which gives care at home for children with life-threatening illnesses.

Graham Hewitt